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Brutus

Keileweg 18, 3029 BS
Thu–Sun 12.00–18.00

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Brutus, one of the largest contemporary art institutions in the Netherlands, spans 6,000 square meters in west Rotterdam. Founded in 2008 by Joep van Lieshout, it allows artists complete freedom to express their visions, resulting in bold installations and performances.
ongoing (Mon–Fri 11.00–17.00)
Sculpture Garden - open air exhibition at the sculpture garden with sculptures by Atelier Van Lieshout. Free entry.
12 Sep–14 Dec
‘Er kraait geen haan naar’ – Narges Mohammadi, solo exhibition
Mohammadi creates an almost dreamlike installation, blurring the boundaries of reality. In this monumental, site-specific work, conceived especially for Barbarella, Brutus’ raw underground exhibition space, she seeks to give form to long-lost childhood memories. Hollow alabaster shapes, thin enough for light to pass, stand as symbols of how scarcity can hollow lives, yet also of the strange, magical resilience that blooms in hardship.

Step into a world of memory and form, join us for the opening. We will dance the night away with a special DJ set by Narges Mohammadi herself, ZINEB and Spicy Dokha.


**12 Sep | Fri | 20.00-00.00: Exhibition Opening

**26 Oct | Sun | 15.00-17.00: Artist Talk

15.00-15.15: Entrance
15.15-15.25: Opening Speech
15.25-15.45: Tour of the Exhibition
15.45-16.00: Breack
16.00-16.45: Artist Talk
16.45-17.00: Q&A with Audience
3 Oct–14 Dec
‘Good Over Evil – OVERGROW’ – work in progress installation and book launch by Eveline Visser
In her solo exhibition Good Over Evil – OVERGROW, Eveline Visser presents a visionary project featuring dioramas and installations that offer an alternative future for the Maasvlakte. Her work is characterized by a monumental and visually captivating language that blends darkness with hope, expanding beyond traditional canvases to envelop entire spaces. Each piece resonates with profound themes, such as heaven and hell, war and peace, and human complexity. Visser invites viewers to engage with these subjects, challenging conventional categorizations.
ongoing
‘Verwoest Huis’ by Marjan Teeuwen (New (semi) permanent installation) initiated by Marjan Teeuwen and Lobke Broos/ROOF-A
The installation 'Destroyed House' is the result of a challenging plan to create a semi-permanent architectural installation to be realized in one 'undeveloped', once bricked-up space, almost completely cut off from the outside world and without any daylight. In this building, Teeuwen goes on her usual deconstructive way. To finally come to a brutalist installation, in which two uneven squares are trying to get into a more perfect position. Like a phoenix, which attempts to take a geometric form, but only partially and even for a brief moment, succeeds. An abstract minimalist rhythm, in which the feeling of order, regularity and beauty, as well as insecurity, disruption and destruction is sensible (war is not far away).

Destroyed House x Brutus is an initiative of Marjan Teeuwen and Lobke Broos/ROOF-A with a generous contribution from the Mondriaan Fund.
ongoing
'The Engineer’s Bedroom' and 'Disco Inferno' by Atelier Van Lieshout. Open: Thu–Sun 12.00–18.00
'The Engineer’s Bedroom' and 'Disco Inferno' are an industrial monster with an insatiable appetite for its own products. Forty years of artistic research, experimentation and incessant output inform this Gesamtkunstwerk, which can be read as a self-portrait of Van Lieshout as obsessive system builder, seer, inventor, architect, maker of machine sculptures, engineer and shifter of boundaries. Like all AVL works, ‘Disco Inferno’ is an exercise in self-sufficiency. It is a self-sustaining universe – a labyrinth of countless sculptures, handmade machines, hybrid engines, furniture, other artists’ work, utopias and dystopias – “all stemming from the hammer, the ultimate instrument of change”. The industrial monster is composed of giant, in-house designed and built machines, a spaghetti mash of generators, pumps and shredders, all propelled by a bizarre range of sculpted engines that can run on almost anything (vegetable oil, butter or homemade pyrolysis oil). It is a spectacle of industry and its potential in never-ending motion, yet the work’s only real purpose is to keep going – and to heat the jacuzzi in ‘The Happy End of Everything Spa’. Accompanied by the bubbling and pounding of all these machines, “as long as we have oil or waste plastic, we can keep dancing on the edge of the volcano”. JVL With ‘Disco Inferno’, Van Lieshout continues to sculpt a new material vocabulary. Atelier Van Lieshout gained international recognition for living sculptural installations that function to assert or question independence; inventing objects, structures, machines and thematic bodies of work that annihilate the boundaries between art, architecture and design. In Van Lieshout’s distinctive language, everything is an experiment in what “could be”. AVL’s transgressive practice dissects and invents systems to flirt with power, autarky, politics, fertility, life, sex and death.
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